This yellow line represents the volume level of the cue. > Click the fade icon, a yellow line should now appear in the screen to the right of the button. > Select the "Settings" Tab in the inspector > Select the audio cue that you wish to fade in > The process is complete correctly if the red x goes away. > Select the fader under master and drag it to -INF > Check the box that says "Stop Target when Done" > Go to your inspector (the box across the bottom), click "Levels" By doing this, your fade cue becomes assigned to that audio cue. > Drag the audio cue on top of the fade cue. > Select the audio cue that you want to fade to apply to. > Click the fade tool and drag it into the center section. Part of the success of the system is that it's scaleable from the basic, free version, to the all singing and dancing professional version, plus the fact that you can rent a licence for a few bucks a day, if you don't want to lay out the cash for a full licence.Ĭhris Ashworth, who runs Figure 53, is a very nice chap, as are the folks who work with him.Fade Outs are have the yellow and purple circle as their icon. These days it's rare to find a theatre show that doesn't run QLab. Most playback systems were Windows-based back then, whereas most designers were using Macs for content creation. Video-heavy shows will use Mac Pro machines for their extra processing headroom.Įarly on, I had a job persuading one of the major rental companies here in the UK to build a system for me (the first QLab system in London's West End for a show starring Orlando Bloom) but they did it as a special favour. A typical theatre installation will run a pair of Mac Minis for redundancy with a changeover switch, although it's rarely needed. I've been using it for many years, since a beta version came my way, and if you watched the opening ceremony of the 2012 Olympics, much of the sound element, put together by a colleague, was controlled by QLab. It does rely quite heavily on the audio and video capabilities built into the Mac's OS which can occasionally lead to bugs when Apple changes something that been standard for ages. It pretty much stomped all over the competition when it arrived some years ago and has been regularly updated, with much input from its users. QLab's pretty much the de facto sound, video and (in some cases) show-control software for theatre these days. Unlike Figure 53, who are large by developer standards, Sononum is one guy in Germany, who has recently decided not to continue supporting other products of his, so be aware of that if buying for long-term use in a corporate environment. If you need Yosemite or higher compatibility, the current (paid) version is the much expanded "Horae", which does MTC-LTC both ways. I switched to Sononum's SMPTE Reader (now free, as "legacy" software - supposedly good up to Mountain Lion) and it works day in day out like a charm. The TC module in QLab does not suffer this in my experience, and I've had some clients computers running Lockstep and ProTools that have never exhibited this problem, so it's probably dependent on what else is going on in your computer. I find Lockstep can drop connection to the sound card you are feeding TC to if left running for more than about 4 hours, experienced this on several systems. I also am a major user of Figure 53's other software - Qlab (which contains the code from Lockstep as it's timecode engine). Yes - I use Lockstep, as well as SMPTE Reader and its current replacement Horae, from.
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